Dan Curtis’ and Bill Nolan’s Made for TV Masterpiece: The Norliss Tapes

The Norliss Tapes

I’m a sucker for a good occult/supernatural detective yarn! Whether you’re talking William Hope Hodgson’s Carnacki the Ghost-Finder, Algernon Blackwood’s John Silence, Seabury Quinn’s Jules de Grandin,  Manly Wade Wellman’s John Thunstone, Joseph Payne Brennan’s Lucius Leffing or even an old J. Sheridan Le Fanu story. How ’bout M.R. James’ “Casting the Runes,” filmed as Night of the Demon  (starring Dana Andrews as an occult gumshoe)?  The tried and true tradition of the supernatural detective ran rampant in the shudder/weird menace pulp mags of the 1930s and 1940s like Thrilling Mystery, Horror Stories, Dime Detective, Dime Mystery, Mystery Novels and Short Stories, etc. Tons of truth-seekers investigated supposed supernatural spookiness, only to discover a perfectly logical explanation to the entire affair at the conclusion. Frank Belknap Long wrote at least a dozen weird menace pulp potboilers. Not to mention several “modern gothic” novel for blue-haired old ladies in the late 1960s to early 1970s under the name Lyda Belknap Long (his wacky wife’s name was Lyda Arco Long).

Thrilling Mystery (June 1936)
Thrilling Mystery (6/1936)
H.P. Lovecraft & Frank Belknap Long
H.P. Lovecraft and best pal Frank Belknap Long
Carnacki the Ghost-Finder
by William Hope Hodgson

If you were to trace my love for this type of tale back to its grasshoppa origins, I could even cite  Scooby Doo  and his psychedelic fun-bus crew. Always on quests to debunk hauntings and strange phenomena. Shaggy and the Scoobster got the mean munchies, and always seemed to unmask the disgruntled caretaker or sacked employee posing as a ghost or goblin. Maybe in a future entry Dr. Monstrosity or your dark ‘n’ dreary ole “boid” might talk about some comic book supernatural shamuses.

Did it take me long to discover more “adult” supernatural detective stories on the small or big screens or in books? Nah! I caught the Kolchak  bug as a not-so pimply adolescent.  Kolchak  the Night Stalker  was one of my big fave series when I was a kid, along with The Invaders. Oh yeah, I had soft spots for Twilight Zone, Outer Limits, Alfred Hitchcock Presents  and Gallery, but I’d rather not digress. Man, oh man, was my mind blown by Dan Curtis’ two feature-length Kolchak flicks (scripted by beloved horrormeister Richard Matheson) and the subsequent series! Problem was there weren’t too many episodes, not nearly as many of The Invaders, which I watched religiously. Now… What if Dan Curtis hired Bill Nolan of Logan’s Run  fame to write a TV series pilot like The Night Stalker  or The Night Strangler  with all the trimmings that made Kolchak such a smashing success? And, let’s take it a step further, shall we? How ’bout if we snag Invaders  and Satan’s School for Girls  leading man Roy Thinnes for the title role? Sound like a match made in heaven? How ’bout hell? Hell ain’t a bad place to be! Enter The Norliss Tapes  (1973), a made for TV masterpiece of the highest order!!  It works as a stand-alone vehicle. Without a doubt it would’ve captivated crowds of glass teat-sucklers had it eventuated as a series too. And, taking it a step further, it leaves you wanting more.

Roy Thinnes
Roy Thinnes and a saucer
Dan Curtis
Dan Curtis
William F. Nolan
Author William F. Nolan

The action centers around David Norliss (not David Vincent, but nonetheless portrayed by powerhouse actor Roy Thinnes), an investigative author who has decided to write a book debunking the occult. At the outset of the flick, ole Roy contacts his editor and is seen trying to write his first page. We then see him passed out drunk, no doubt after a long battle with supernatural forces. The editor goes by Norliss’ pad only to find the author missing–a mere sentence typed, but a collection of numbered cassettes containing the contents of the book. As the editor listens to Norliss’ voice, we are ushered into the crux of this creepy little tale of a man trying to cheat death through a demonic pact involving an Egyptian scarab ring, and an evil entity called Sargoth. Along the way we are treated to some nifty appearances by character actors we’ve all seen in various old horror, crime and SF programs (Claude Akins reprises his Night Stalker  role  as a skeptical irate cop), not to mention some cool scenery as Norliss’ speeding Corvette cruises around Carmel, Big Sur and Monterey.

The only thing that’s missing? Well, it was made for TV, so you won’t find gobs of gore or tons of tits ‘n’ ass. Instead, how ’bout some classic cheesecake pix of the actresses I’ve been yapping about, eh?

Michele Carey
Michele Carey
Jenny Agutter
Jenny Agutter
Carol Lynley
Carol Lynley
Joanne Pflug
Joanne Pflug
Angie Dickinson
Angie Dickinson

Author: The Black Bird

As guitarist, vocalist and songwriter, The Black Bird pioneered the early U.S. heavy rock movement in 1968, spearheading the unsung power trio The Hounds of Tindalos. He was a regular contributor to The Magazine of Horror from 1963-71. His novels include the sexy new-wave science fiction outing Spawning Season (Chariot Books for Men, 1966), Smut City (the first in a series of hardboiled mysteries featuring half-Japanese hippie-era private dick Donald Dong - Essex House, 1969), the anti-hero fantasy The Axe of Aleric (Powell Books, 1971) and Cauldron of Abhorrence (a pseudonymous gothic—marketed to blue-haired septugenarians—published under his then-girlfriend’s name, Raven Chimesleep Flagstone—Beagle Books, 1972). As a non-fiction writer, he compiled a 600+ page bio-bibliography of pulpster Ray Cummings (Atoms and Areolae, Ronald N. Fund Publishers, 1979) and the true crime magnum opus Daemon in Drag about post-op transsexual serial killer Roberta Morris (Ganja Publications, 1994). Wait a minute!? We’re gettin’ carried away here! This just ain’t right!? The Black Bird’s alter-ego is chronically underpaid writer, editor, musician and all around wacky creative creature Perry Grayson. A lifelong devotee of all things weird, fantastic and mysterious! By day, Perry pretends to “slave for ‘the man.’” By night he creeps! Perry’s articles, interviews, reviews, stories and poems have bled onto the pages of zines, mags and sites such as Metal Maniacs, Crypt of Cthulhu, Fungi, The Scream Factory, Slow Ride, Snap Pop, Snakepit, Al-Azif, Necrofile, Other Dimensions, emptywords.org and hellridemusic.com. As editor, he oversaw three collections of his fave author, Frank Belknap Long's work: Escape from Tomorrow, The Darkling Tide and The Eye Above the Mantel (more are planned). He runs the small press publishing operation Tsathoggua Press (currently on hiatus), and prides himself on being an incorrigible heavy rock and metal/book geek and beer snob (no panther piss, please!). For a decade he was a staff writer for the major newsstand mag Metal Maniacs (1999-2009), and now often contributes liner notes to hard rock and metal albums. From 1997-2000, along with his pal Dr. Monstrosity (a/k/a Dan DeLucie), he played guitar in the metal band Destiny's End on two albums and both U.S. and European tours. Tackling both vocal and axe-slinging duties, he formed vintage heavy rock power trio Falcon in 2002. Falcon has released two full-length and has a third in the pipeline. He also took part in multinational metal project Isen Torr on the EP Mighty and Superior (2004) and played bass for Pale Divine on a European tour. Once upon a time, he was a jack of all trades copywriter, production coordinator and light graphic designer in the advertising/graphics biz in “El Lay.” Now he resides Down Unda with his music biz veteran wife and three fur-babies (kitties). When he isn’t playing guitar or bass, singing or writing, he is probably reading a book, listening to tunes or watching a sleazy exploitation or noir flick. He is addicted to vintage books, mags, vinyl, guitars and amps. And… among other things, one of his fave pastimes is investigating old unsolved cases such as the Black Dahlia murder, a pursuit some might find comparable to chasing his own tail.

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